The Weekly · Issue No. 12 · Sunday, 25 October 2026
Issue No. 12
The nights are drawing in, and this week’s issue goes looking for what waits in the dark. Frankenstein is read for the mother it writes out, a creation made without a woman and abandoned by its maker. Macbeth and Othello are read for how murder makes and unmakes a self. The Last of Us brings the oldest fear of all, infection and the dead who will not stay dead, into the present. Modernist writers tear the mask from the Victorian face, refusing to let looks reveal character. And a poem walks through what war leaves behind.
The Winter Quarterly, our first issue in print, closes for submissions this Saturday, 31 October: theastyanax.com/submit
Happy Halloween.
Hector Hallett, Founder & Editor-in-Chief


Literature · Essay
Constructing Criminal Agency: Narratives, Identity, and Violence in Macbeth and OthelloLola Hobson

Literature · Essay
The Erasure of Motherhood in FrankensteinThe hubris of Prometheus bringing the fire of life to humanity
Ishanvi Gunnowree

Literature · Essay
A Fracturing of a Face: An Exploration of the Twentieth-Century Disruption of Victorian Physiognomic TendenciesA critical analysis of how modernist literature rejected methods of character construction largely grounded in the physical realm.
Maya Elton


